Starting their careers…

Initially, South African law prevented Black artistes performing in shows for White audiences. In the early ‘70s restrictions were relaxed so that Black artistes could now perform to White and sometimes mixed audiences.

A number of Black “tribal” musicals were produced — such as IPI NTOMBI, MEROPA (then called KWA ZULU) and uMABATHA (also known as “the Black MACBETH”). Hugely successful both at home and abroad, Todd and Thembi’s paths were to cross again as both managed to get roles in shows that took them overseas.

Todd began her theatre career in 1976 with Joan Brickhill and Louis Burke’s production of MEROPA. It toured locally and then internationally. In the meantime, Thembi was involved with IPI NTOMBI which she had joined in 1976.  Todd and Thembi met up again in 1978 while working for these South African productions performing in the London’s famous theatreland, the West End.

NEXT> Merging Paths…
africaumoja Todd in her early days as a dancer.

Todd in her early days as a dancer.

Africa Umoja Thembi in London, working for the Todd in her early days as a dancer. Ipi Ntombi showcase.

Thembi in London, working for the Ipi Ntombi showcase.